Vallesecreto It is the solo project of Miguel Rueda (Ballena, India Row, Cecilia Ann …). The Malagueño takes us to that valley (with their ridges) in which their most personal songs flourish. Of course with that acid touch that inspires a title as Japanese making flamenco (Wild Punk, 2025) to definitely overcome the impostor syndrome.
I will take advantage of this silence and think about you. Thus starts Camilo is thisthe first cut of four and in some way that thought that must be around Miguel Rueda’s mind when it comes to launching valleles. The silence while whale returns to the surface and silence that inspires him to talk about that inner emptiness of No. 1 of the coast or that Hurdling not to cross with you in the living room. Themes that arrive when the party ends, that one that surely Miguel (as a half music scene) has been hostage in body and soul when writing songs and from which he moves away towards this secret valley. He says it, I lie, then I exist. The flamenco and the Japanese, because they already know, that syndrome of the impostor who has definitely detached himself, because the cheerful mornings return to the room.
Japanese making flamenco (Wild Punk, 2025) is a solo debut but very well accompanied by great musicians, to the drums by Daniel Guzmán (dinner) and Coki Giménez (Tarque, Fito and the Fitipaldis), Raúl Bernal (Loquillo, Quique González) to the keys in I lie then I existFrancis Barba (The Oddballs) with the steel pedal in Hurdling or Jose Manuel Cárdenas (the dinner/whale) that puts the bass in Hurdling.
