Chloe Moriondo is a singer and composer from the United States who became known in 2014 through YouTube. Then, Moriondo was 11 years old. Today, at 22, the Detroit artist faces the publication of her fourth studio album, ‘Oyster’, which is put on sale on March 28.
Moriondo’s musical evolution is drawn on his three published albums, which pass from the ‘Rabbit Hearted’ (2018) to the ‘Blood Bunny’ pop-punk (2022) and which, in ‘Suckerpunch’ (2022), reach the use of abrasive and electronic bases. It does not surprise that ‘Oyster’ can be your most Hyperpop album.
There is some of that punk influence in ‘Hate It’, the second single of ‘Oyster’, although this trallazo ends up engulfed by synthesizers. Actually, ‘Shoreline’ has been the first ideal single of ‘Oyster’ because of the way the sound of the album is paved.
“You know I will love you until we die” is a 100% emotion phrase, but the production of ‘Shoreline’ – today’s song – shines using Robyn’s emotional synthesizers and ion. In ‘Shoreline’, Moriondo describes the “biggest break my life.” Desperately, Michigan’s young woman looks for that person in others, but without success. “You can say that you are always there, but I can’t find you anywhere,” he sings.
‘Shoreline’ transmits his message of emotional anguish through a spectacular crescendo, and his sound is “translucent” because this is also all the oceanic aesthetics of ‘Oyster’. In the album, Moriondo opens emotionally, but still takes refuge inside his bubble. The autotune applied to his voice transmits that idea of emotional distance, but the emotion contained within ‘Shoreline’ is immense as the ocean.
https://www.youtube.com/watch?v=7qjabcqbudy
https://www.youtube.com/watch?v=qozi2e4O3v0
