After the fiasco that supposed ‘The idol’, many thought that Lily-Rose Depp’s career in the United States was going to have less future than Milei’s as a cryptopro. However, a year later ‘Nosferatu’ arrived and everyone was silent. Will the same thing happen with Abel Tesfaye- once in the series- when ‘Hurry Up Tomorrow’, directed by the very promising Trey Edward Shults (‘Krisha’, ‘Waves’)?
In the absence of seeing the movie, only with the trailer, it seems clear that ‘Open Hearts’ is not a mere recycling of images of the film: it is a full -fledged video clip. So it is explained at the beginning, the clip is shot to see with the Apple vision. I have seen it with my Fernández optics glasses. And the sensation is a bit like when you see an old 3D rolled film, type ‘The crimes of the Wax Museum’ (1953): There are many planes whose only function is to facilitate an immersive effect for the device.
‘Open Hearts’, filmed in a 180 -degree format and with a very cinematographic narrative, is full of exteriors with aerial planes with drone and interiors with a lot of depth of field. Beyond this visual calligraphy at the service of technology, the clip presents a plot starring The Weeknd lying on a stretcher of an ambulance. While the paramedics attend to him, we see black figures with bright eyes that look like a wink to the ‘Holy Motors’ poster. APPEARANCES THAT WORK AS A ADVANCE OF THE DESRIBIC TONE THAT WILL PREPUENGE THE TELE.
After a plane of a sunset on skyscrapers that seem taken from the ‘megalopolis’ of Coppola, the video ends with the singer getting into a … Light tunnel, like the one seen in the experiences close to death? The Weeknd passes to the “other side”, beyond where it seems to reign as an idol of pop in a stage.
https://www.youtube.com/watch?v=BN-3icgjz0u
