An Madonna’s tweet about Trump has ended on the cover of all kinds, from El Diario to El Español, passing through the country. Perhaps because there are not so many artists pronouncing on the seriousness of their first measures of 2025: the deportation of immigrants; The elimination of the fight against AIDS in vulnerable countries, which can put world health at risk; the suppression of transition treatments up to 19 years. Selena Gomez climbed a post crying to live tear because she did not know how to help immigrants, and then had to erase it for social pressure.
“It is very sad to see our government dismantling all the freedoms for which we have been fighting and winning over the years,” said Madonna, coping holders, from the United Kingdom to the United States.
A couple of days after appearing in agencies with this tweet, Madonna has returned to the load, now on Instagram. Posting a photo of his adolescence, of the days he arrived in New York, he concluded: “He had no idea that one day he would live in a world in which fascism could be banalized and the norm.” The singer refers, with frustration, to the rise of ultra -right worldwide.
Not so many media have remembered that Madonna’s aversion to Trump comes from behind. In his first term he participated in a feminist act in which he came to declare that he dreamed of “flying the White House” since the tycoon had come to power. Donald Trump came to call the Ciccone «disgusting«.
It usually goes unnoticed because the album was presented with a post-reggaeton with Malum Ultra -right boom. A phrase of the feminist theme ‘Batuka’ seems openly inspired by Trump (“Take that old man and put it in jail”). ‘Future’ spoke of climate change. ‘God Control’, on the possession of weapons. ‘Dark Ballet’, on the stigma of HIV and the power of social networks. ‘Killers Who Are Partying’, about the need to support the most disadvantaged. The album and the tour ended with ‘i rise’, fist high, on resistance. Madonna explained as she wrote that her album was not specifically about Trump because she didn’t know “who would rule when he came out.” Little imagined then that he would return to power, with worse measures for the LGTBIQ+ community that then.
At that time, three Spanish journalists were able to interview Madonna in London. My partner Pablo Gil of El Mundo asked him if he considered that “freedom was in danger” and I remember that the question excited him, because he spread especially to her: “There is personal and collective freedom, and both are in danger. As a community, as a group, as people, as a society, our freedoms are in danger in every way. We must not take anything for granted for what we have achieved (…) I think that freedoms are being taken to us subtle, little by little and in front of our noses. It is very afraid. You can remember your complete answer here.
It’s so sad to watch Our New Government Slowly Dismantling All The Freedoms We Have Been Fighting for and Won Over The Years. 🏳️🌈💔
Don’s Give Up The Fight! pic.twitter.com/6fiziya2zm– Madonna (@Madonna) January 28, 2025
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