Nina Raku begins a new stage with a pulse-pounding single jersey club and a powerful visual charge in which it turns the Qareidolia in metaphor of obsessive infatuation. Produced by Juan Sueiro, the song marks a sonorous and conceptual turn in his career.
There are songs that are born from a wound and others from a fixation. With PareidoliaNina Raku opens a new artistic stage where infatuation and obsession become a creative impulse. The single takes as its starting point the psychological phenomenon of seeing faces where there are none to talk about emotional projection and distortion of desire. Sonically, it relies on an accelerated and forceful electronic base, with incisive synthesizers, tense guitars and a more frontal interpretation. The production of Juan Sueiro (Fangoria, Zahara, Miss Caffeina, La Casa Azul) reinforces that turn with a solid and contemporary sound, taking care of the detail in the textures and building an expansive atmosphere that accompanies the emotional vertigo of the song.
The video clip, which we premiere today on Mondosonoro, translates that obsession into fragmented images, plays of lights and ambiguous reflections where the beloved figure appears and disappears. It doesn’t illustrate the song: it expands it. Pareidolia here becomes a visual experience, that disturbing feeling of seeing exactly what you want to see.
Fascinated by the way the mind constructs images and meanings where there are none, Nina Raku dialogues here with references of surrealism and visual culture such as Leonora Carrington, in that evocation of seeing what we want to see, like Joan Fontcuberta, questioning the border between the real and the imagined.
Pareidolia cconsolidates a sonorous and conceptual turn in the trajectory of the Malagueña, which can be seen live on April 22 at the venue corpse of Madrid and this summer in faithSummer Breeze.
