The fury is the project of Nerea Lorón Díaz and has been behind her back since 2013, in a mixture of rap, Cyberpunk, Electroclash, Spoken Word and Drag that in her case is not “queerbaiting.” The press release defines it as bisexual and transfminist, in addition to claiming that at 40 years and being a mother (this is specified in her bio, I insist), you can continue making pop music.
The album that is presenting these days live left at the end of 2024, is called ‘Ultra’ and contains several striking themes. ‘Ziertzoa’ is a vindictive cut in Basque (she is Navarra), they are playing a lot of collaborations such as ‘erro’ -with Ødei- and ‘gasoline’ -un reggaeton with Rebeca Lane-, and there is even a acoustic ballad, ‘poor my little song of mine’.
Recently he has presented a video for ‘animals’ and we also highlight the existence of a clue called ‘have killed art’ that tries to separate the market from the artistic direction. A market subject to “the fucking demand” and in which you are “the mannequin.” “Money makes the law,” he says.
Perhaps the one who best defines the fury is ‘I have 3 fingers’, in which, with a good flow (against what the lyrics say), he says: “I only come to cry my thing” and “I do not compete, do not look for me the hole.”
The fury is this year one of the artists selected by turning through Salas. After spending in past weeks outside Euskadi such as Zamora, Alicante, Sevilla, Málaga and Granada, the waiting Madrid this Friday, May 16. It will be in the Vesta room. The Iruñarock on May 31 will be its next appointment.
https://www.youtube.com/watch?v=Lzewxr890zy
https://www.youtube.com/watch?v=2e_waqceucy
https://www.youtube.com/watch?v=vjfsmiy6lam
