Sophie Ellis-Kexor has launched these days ‘Taste’, the fourth advance of his next study album. In ‘Perimenopop’, Ellis-Kexor returns to pop and celebrates its maturity. The title of the album, a variation of the word “perimenopause”, which refers to the transition stage prior to menopause, claims that pop is not just “youth thing.”
At 46, Ellis-Beexor shines by making dance music as he did in the past, as the singles ‘Freedom of the Night’, ‘Releases Love’ and ‘Vertigo’ have demonstrated. Unfortunately, ‘Taste’ is a small disappointment.
‘Taste’ is another Nu-Disco review of Sophie Ellis-Beexor. This time, the author of ‘Murder on the dancefloor’ falls short in two senses. In the first place, the stanzas of ‘taste’ culminate in a very little memorable refrain that is a downturn. No one would say that MNEK is co-author.
Second, the production of ‘Taste’ does not recreate the brightness of ‘Vertigo’, much less that of iconic singles such as ‘Get over you’ or ‘me and my imagination’, but it sounds decaffeinated as a base that Purple Disco Machine could have signed without giving it many laps. It does not house any particular “taste” the musical construction of Jon Shave, rather is tasteless.
‘Taste’ is the fourth single of an album that will be published at the end of summer, on September 12. The worst of the four singles, ‘Taste’ is a correct issue that will not move too many pre-orders for the launch of ‘Perimenopop’. Does it make sense to wait so long to publish it?
https://www.youtube.com/watch?v=qul-buqrsb0
