Rusowsky’s Tiny desk demonstrates that the Madrid artist does not need a mountain of vocal effects to excite. In his debut in the NPR format, Rusowsky is shy between song and song, but the wonderful arrangements of these compensate it completely. In addition, we see him touching the piano and the bass. Little more can be asked.
The set consists mainly of songs taken from their first album, ‘Daisy’. For the last one, which converts the office into a Latin party, stays with ‘Dolores’, one of its most beloved themes. In the Tiny Desk, Rusowsky detracts completely from the beginning with ‘Johnny Glamor’, in which the ketchup sample is sung by the choir. The touch of the banana shaker is also gold.
It is normal for Rusowsky to be a nervous tong. Surely the great impact that the format in the races of Ca7riel and Paco Amoroso had, practically being a before and after for the Argentines. “Thank you for inviting us today, it’s really a dream for us … right?”, Russian Idk’s member looking at his bandmates.
The amalgam of ‘Sophia’ synthesizers, thanks to Omar Alcaide, becomes a wonderful guitar toe reminiscent of the best bachatas and that we already need on platforms, while ‘Malibu’ embraces its most intimate potential. At the moment, this is in 36th place in the list of Singles Spain, and continues to rise.https://www.youtube.com/watch?v=fo89b8zaie4
