‘Full Time Papi’ has not been an exception. The very commented guitarricadelafuente video clip can be understood as the spearhead of the same aesthetic discourse characterized by sensuality, carnal desire and an overflowing youth energy. The rest of the audiovisual pieces published by the Castellón singer follow that same line (the most different would be ‘Tramuntana’, which being located at the end, could function as a kind of Coda).
Hiding between the advertising aesthetics of Calvin Klein, the photographic work of Herbert List and the lubric exhibitionism of a Troye Sivan, guitarricadelafuente removes his shirt- literally and metaphorically- and takes the reins of his career with a Dionysian spirit, erotic glare and provocative encouragement.
In ‘Babieca!’ The legendary horse of El Cid does not come out, but numerous foals and foals (wild). Horses and horses (in motorcycle) impregnated with a sweaty equine homoerotism that reminds of a relaxed and summer version of the symbology of the ‘equus’ of Peter Shaffer. Combining the VHS video aesthetics with high resolution, the clip works as a bucolic country fantasy … inspired by real events, in the summers that guitarricadelafuente spent in the Turolense town of its grandparents?
https://www.youtube.com/watch?v=de3r8_fhgcw
