Zahara marks a milestone in her career, as she debuts as co-writer of the soundtrack for the new film Fernando González Molina.
Zahara signs an original soundtrack for cinema for the first time, consolidating a new milestone in his artistic career, by being in charge of part of the soundtrack for “My Dear Miss”the new film directed by the Navarrese director Fernando González Molina.
The composer and singer, recognized for her sensitivity towards gender issues, provides a key sonic dimension in this contemporary reinterpretation of the classic by Jaime de Armiñan. Her work accompanies the journey of self-discovery of the protagonist, Adela, emotionally reinforcing a story focused on the intersex experience and the processes of identity construction.
The soundtrack is structured in two musical universes that reflect the internal evolution of the character between Pamplona and Madrid. While the first part, set in Pamplona, has music by Alex de Lucas, Zahara develops alongside Marti Perarnau the final section located in Madrid, where it displays a sound landscape based on synthesizers and drum machines that is more open and transformative. This musical duality highlights the transition from a more normative and silenced environment to another where new possibilities of exploration and recognition emerge, situating the work of Zahara as an essential element in the film’s narrative.
Zahara He also signs “The Light That Will Come”, the original song from the film, conceived as an emotional extension of the outcome. “Fernando did not want a summary song, but a song that was born right where the last scene ends and that transformed into Ade’s own voice at the moment she recognizes herself,” he explains.
The result is a soundtrack with two complementary personalities that reflect Adela’s evolution and the contrasts between the worlds she inhabits. “The film is two films in one, and that the music also has those two identities is a success,” concludes the artist.
With this composition, Zahara Not only does it debut in the field of film music, but it reinforces the role of music as a key tool to accompany and express identity processes, especially in a story that places an intersex experience and its path towards self-knowledge at the center.
