Hayley Williams explained that the reason he has released 17 loose singles instead of an album is because he did not “propose to write an album” and simply “needed to compose” and ended up “writing all these songs.” Interestingly, he assures that he does not perceive a “perspective” that one all the clues and recognizes not knowing “exactly what the experience of the album is. That will not prevent you from launching these 17 songs in physical format, in a single album, but asks your fans to send your personal playlists and help you sequence them.
That this album – provisionally entitled ‘ego’ – lacks perspective can be understood from different angles. Throughout this almost twenty cuts, Williams explores issues such as mental health, faith, romantic or friendship relationships, fame or its relationship with the music industry, and does so with a frankness that disarms when, in ‘glum’, sings about “being 37 years old and having no idea of anything.”
Williams’ perspective, in this collection of songs, is that of an adult who reaches that age something disappointed, but not completely hopeless. Williams portrays his sentence to self -assess emotionally in ‘Whim’, criticizes the hypocrisy of the United States in ‘True Believer’, a country where “Christians pose with larger weapons than their children”, attacks the “men” of the industry that “made rich” in ‘Ice on my oj’, dedicates a love song to antidepressants in ‘Mirtazapine’ Male in ‘Disappearing Man’ or ‘Brotherly Hate’, the latter, most likely inspired by the brothers of Paramore, Josh and Zac Farro.
“I will be the biggest star in this racist country” is one of the loud phrases included in ‘Ego Death at the Bacholerette’, while ‘Kill me’ crosses issues such as motherhood and generational traum heart”.
https://www.youtube.com/watch?v=A4P0Brwfsy8
https://www.youtube.com/watch?v=DMRH5CW6IHI
https://www.youtube.com/watch?v=a5uy5vdxhki
Could it be that the “album” lacks artistic vision? At all. Williams delivers a collection of songs unified by the alternative guitars, the pop-rock and the grunge of the nineties, where there are tributes to the Shoegaze (‘Mirtazapine’), to the Dream-Pop (‘Blood Bros’) or certain leaves country ( Of course, the melodies are always calm and calm, and it is true that it is not very clear what could be a single and what not, although ‘glum’ is a worthy candidate, it has been the focus track and it is also the issue of the “album” that their fans are heard.
The cohesion of this collection of songs, however, does not prevent compositions, heard together, build a linear and too uniform repertoire, in which no song stands out. The guitars will roar more (‘Ice on my oj’) or less (‘whim’), the ballads will excite more (‘I won’t quit on you’) or less Monotonous Perhaps when Williams speaks of perspective, he refers to a goal, a place. Maybe these 17 songs were looking for a goal or destination, but they have not really found it.
This does not mean that certain clues from this album supposedly titled ‘Ego’ do not stand out in its own way: the melody of ‘Love Me Different’ is cheerful and Pizpireta, ‘Zissou’ quotes a song by Seu Jorge -at which we have just seen in Cruïlla -and ‘Discovery Channel’ speaks of sexuality and connection sampleing in original way ‘The Bad Touch Touch’ of Blood Although, in the end, there is Williams’s ability to write good confessional pop-rock songs that reflect his feeling in a crude and sincere way, and from his only perspective.
https://www.youtube.com/watch?v=ci07wfa7wde
https://www.youtube.com/watch?v=7vq9ju2swk
https://www.youtube.com/watch?v=iphzftdey5a
